Introduction While reading the Bible to better understand Umberto Eco’s The Name of the Rose, a few urgent questions suddenly popped up: Should dangerous knowledge be hidden from people? Having previously worked on a banned books project, I know that literature is frequently banned and censored. However, the issue gets much trickier when the knowledge…
Category: Philosophical Logic
Explores ethics, epistemology, existentialism, and the logical frameworks authors use to build their worlds.
Example Post Ideas
The ethics of artificial intelligence in contemporary sci-fi; Existentialism and choice in crime literature.
The Bible and the Name of the Rose
While reading The Name of the Rose, I kept wondering why the monks were so obsessed with the Book of Revelation. At first, I did not have enough background knowledge to understand what was happening. So I decided to go back to the source material itself and read parts of the Bible, including: The more…
The Poisoned Book in The Name of the Rose
~ Knowledge, Power, and the Fear of Laughter In previous posts, I explored how medieval books were made and why certain texts were considered dangerous. However, the more I studied medieval libraries, the more I realized that books were never viewed as neutral objects. So, I started to see books as the means of preserving…
The Fear of Books in The Name of the Rose
~Knowledge, Power, and Forbidden Truth When I first began researching the material culture behind The Name of the Rose, I focused mostly on how medieval books were physically made: parchment, vellum, inks, scriptoria, and libraries. But the deeper I went into Umberto Eco’s world, the more I realized something important. In the novel, books are…
The Uncut Identity: A Sartrean Autopsy of Jay Gatsby
Blog Summary This essay explores Jay Gatsby’s tragic quest for identity through a Sartrean lens, framing his meticulously curated life as an “uncut book” that prioritizes potential over lived experience. By tracing his movement from the yellow stasis of self-deception to the red actualization of mortality, the analysis reveals how Gatsby’s “greatness” lies in his…
The Digital Panopticon: A Foucauldian Analysis of Dave Eggers’ The Circle
Blog Summary This essay explores Dave Eggers’ The Circle through a Foucauldian lens, illustrating how modern surveillance has evolved from Bentham’s physical Panopticon into a digital “benevolent” prison. By rebranding transparency as a moral and medical necessity, the platform transforms users into docile bodies who willingly participate in their own continuous monitoring and social normalization….
The Frozen Panopticon: Frankenstein, Foucault, and the Arctic Sublime
Blog Summary: This essay explores the Frankenstein Arctic Panopticon, where the frozen landscape functions as a naturalized architecture of total visibility and moral accountability. By applying Foucault’s theories of discipline and the “medical gaze,” it reveals how Victor’s irresponsible withdrawal from his creation transforms the creature into an omnipresent guard. Ultimately, the narrative serves as…
Animal Farm and Foucault: The Architecture of the Invisible Cage
Blog Summary In this cross-disciplinary deep dive, we peel back the layers of George Orwell’s Animal Farm using the philosophical lens of Michel Foucault. While the story is often read as a simple allegory of the Soviet Union, we explore how the pigs’ real power lies not in their whips, but in their control over…
Why Victor Frankenstein’s True Sin Was Philosophical Negligence
Blog Summary This blog reinterprets Mary Shelley’s Frankenstein through a Sartrean lens, reframing the Creature’s tragedy not as a failure of science, but as a crisis of existentialist abandonment. It explores how the Creature, “condemned to be free” in a social vacuum, is denied the recognition and structural support necessary to construct a meaningful essence….
The Inhabited Absurd: Existential Habitation in Never Let Me Go
Blog Summary Drawing on the existential philosophy of Albert Camus, this essay explores how Kazuo Ishiguro’s Never Let Me Go constructs a “closed system” that replaces overt oppression with psychological habitation. By analyzing the clones’ transition from the “aesthetic opiate” of their art program to Tommy’s eventual moment of roadside lucidity, we see a profound…